Starring: CHERISH, MARILYN PASCHEN, MELODY & RACHEL ROSE.
COLOR, DIALOGUE, MUSIC
Four suburban women participate in a "Book Club". They read and review different
literary works. CHERISH, the founder of the club, overhears RACHEL ROSE, MELODY, and
MARILYN PASCHEN say they're getting bored with the club. Cherish surprises the group
with an invitation visit to an art gallery instead, which seems very interesting to
the other women. We see the women getting into Cherish's SUV, and the luscious,
awkward upskirt shots as they struggle to get into the large vehicle. As they chat on
the way to the gallery, we see the tops of their nylons and lacy slip hems. Again,
we're rewarded as the women, one by one, exit the SUV, showing us the color of their
panties, stockings, and garterbelts when they reach the gallery. The gallery seems
unusual to the ladies. Cherish informs them it's a gallery show of "EROTIC ART", and
suggests they open their minds to "the darker side of life". Rachel and Marilyn are
confused by one picture. It's too abstract. Suddenly, Rachel sees that it's a
lithograph of a woman's "private parts". Melody joins in and concurs by saying,
"She's right! It's a vagina". Cherish enjoys the revelation. Rachel describes the
work as pornographic. Marilyn suggests the gallery be shut down.
Cherish literally forces the women to roam the premises. The women agree to do so,
under duress. Now alone, Cherish produces a cloth, smirking at her scheme. She opens
the restroom door, revealing her male SLAVE, his head covered with a leather shroud.
He's eager to participate in Cherish's adventure; she pushes him back into the
bathroom and tells him to wait and slams the door. Melody leans in to one picture,
seeing the intricate erotic detail. Her expression is negative as Cherish sneaks up
behind her and applies the cloth to Melody's face. Melody fights and struggles,
kicking, exposing her stocking clad legs, white garter belt, and lavender, full
bottom panties. She slumps to the floor, taking Cherish with her. Melody is sprawled
on the floor, unaware of her open legs as Cherish takes off her suit, noticing it's a
Chanel "knock off". Melody lays helpless in a lacy pink bra, her panties, garter
belt, stockings and heels.
Cherish's slave picks up the sleeping Melody, tossing her over his shoulder, fondling
her panty-clad fanny as he takes her down the stairs into the basement dungeon. He
places her face-down over a spanking bench, fondling her breasts and lovely, round
bottom. He takes his leather-clad head and sticks it between her legs from behind,
spanks her lightly and plays with her stockings and garters. In another part of the
gallery, Marilyn shakes her head in disgust at the art. Cherish attacks her with a
fresh cloth. The two fight intensely, but Cherish is too much for Marilyn as she
squirms on the ground, kicking her feet high in the air, showing us her pink panties,
black garter belt, and stockings, until she succumbs. Cherish takes her time
undressing Marilyn, showing us the white, lacy demi-cup bra, panties, garter belt,
stockings, and heels. She gently fondles Marilyn's legs and breasts until her slave
carries her over his shoulder through the gallery and into the basement. The slave
places her into a vertical steel cage. Marilyn's woozy and remains erect as the slave
comes behind the cage and fondles her breasts, pulling down her bra, and sensually
runs his hand along her panty-covered crotch. Although Marilyn isn't fully awake, she
reveals she's erotically charged by the slave's activity. In the gallery, Cherish
approaches Rachel who is seated near the door, no longer interested in looking at the
art. Rachel is insulted Cherish has taken her friends to this fetish gallery, and
demands to know who owns it. Cherish is proud to say she's the owner, which shocks
Rachel, as she displays an "ethical snit". Cherish forces Rachel against the wall and
informs her that she knows Rachel's been having an affair with Cherish's husband.
Seeking her ultimate vengeance, Cherish attacks Rachel. The two fight intensely,
wrestling one another to a couch then the floor, where Cherish finally gets the best
In the basement, the slave ties Rachel to a St. Andrew's cross while she's dressed
only in a full white slip, white garter belt, ivory lacy full bottom panties, and a
very expensive beige see-through bra. Again, the slave indulges himself with Rachel,
fondling and exposing her breasts and nipples, and rubbing his head between her legs
and breasts. In the gallery, Cherish is impatient, waiting for the slave to come
upstairs. But the slave is with Melody, placing her face-up on the spanking bench,
pulling down her pink lacy bra, licking her nipples and touching her panty-clad
parts. She moans in ecstasy and resistance. When the slave reappears upstairs, he
falls to his hands and knees in front of his mistress, Cherish. She interrogates him
regarding his activity in the basement, asking if he had played with the girls. He
shakes his head "no". Cherish slaps him and asks again. He denies any involvement.
Cherish slaps him again. He finally admits his indulgence by nodding "yes". Cherish
kicks him in his parts as he crawls back into his bathroom. In the basement, Cherish
takes off her coat and skirt, revealing her lacy black see-through bra, black lace
full-bottom panties, black 6 strap garter belt and heels, getting prepared to play
openly with her conquests. Her first course is Melody, seated and bound with a ball
gag to silence her relentless ranting. Cherish sits on her lap facing her, forcing
her gorgeous cleavage into Melody's face. Melody's defiance excites Cherish. She
slaps exposed portions of Melody's fanny and thighs, as well as pulling her nipples
from her bra, twisting & tweaking them as Melody goes from outrage to erotic thrill.
Cherish moves to the caged defiance of Marilyn. She fondles her breasts, softly
enticing her by moving her hand between Marilyn's legs, stroking the silky crotch of
her pink panties. Marilyn's objections soften with Cherish's caresses, allowing
Cherish to bind her head to toe with thick black tape, constraining her, as she is
spanked and tweaked. Finally, Cherish attends to her main nemesis, Rachel, who is
restrained on the St. Andrew's cross, in her slip and heels. Cherish takes her time
with Rachel, fondling her 34D breasts, pulling her slip and bra on and off them, as
Rachel's hips push toward Cherish. She teases Rachel, fondling her ivory-covered
triangle and nipples, winding and sliding her hands into Rachel's garters and
stockings, using her nails to tear them and exposing her skin through the nylon
fabric. Keeping with her plan of vengeance, Cherish takes scissors, enticingly
cutting the straps of Rachel's slip straps, then moving to the hem of the slip,
cutting upward, ruining the expensive slip, while revealing more of Rachel's garters,
no longer effectively holding up her ripped stockings. Rachel's objections are
finally muted when Cherish gags her with a stocking and continues redesigning
Rachel's expensive lingerie. The scissors carefully cut away Rachel's bra, revealing
her nipples. Cherish goes about slicing Rachel's bra, cutting away the sheer lace
away from her flesh, until only the fabric below Rachel's breasts are supported by
very small, thin strips of lacy mesh. Pleased with her captives, Cherish exits the
dungeon as we watch Melody, Marilyn, and Rachel struggle in a futile attempt to
flee the dank dungeon.
COLOR, DIALOGUE, MUSIC
Starring: CHERISH, VIVIAN VAMP & MELBA TOAST.
Vivian, an aspiring actress is the first to show up for an audition with Cherish. But
no one is in the studio. Vivian is dressed in a form fitting sweater, a tight white
skirt, bare legs, and white heels, carrying a tote bag. She preens in a full length
mirror, admiring her figure and long blonde hair. We notice her visible panty lines
under her skirt. She sits in a chair, bored & anxious. She crosses and recrosses her
legs, and we see teasing, upskirt peeks. Above her is a note regarding the audition
wardrobe requirements, but she doesn't notice it. Instead, her hand softly presses
between her legs. Suddenly, Melba enters, breaking Vivian's reverie. Melba is very
tall and lean, with her brunette hair pulled tightly in a bun. She wears a sheer
white blouse and a very tight above-the-knee skirt, stockings, and high heels. She
wears glasses, and we see her braces when she smiles at Vivian. If you look closely,
you can see her panty lines, and garter belt straps holding up her back seamed
stockings. She also has a small tote bag. After quick introductions, both girls are
surprised Cherish, the casting director, is not present. Melba notices the note above
Vivian's head regarding the wardrobe requirements. Among the demands, Melba reads
"â€¦you must wear stockings, high heels, garter belt, and bra which is predominately
lace." Vivian and Melba note they haven't worn all the proper undergarments. Reading
further, they learn there is a small lingerie chest containing appropriate lingerie
choices, just in case.
But first, Vivian and Melba place their tote bags on a table to see if they have the
necessary lingerie. We see the girls examine several lacy bras, stockings, etc., then
move to the lingerie drawers. Lacy, silky, sexy undergarments are examined as each
girl holds an article to their clothed bodies. Vivian, takes a white lace garter
belt, pulls up her skirt, and slips on the garter belt over her sheer, tight, full
bottom panties. Next, we see very close shots as she puts on back seamed stockings
and hooks them to her garters, featuring front and fanny shots. Melba, who has
smaller breasts, is not so lucky finding the proper bra.
Just then, Cherish enters quietly and watches the girls with amusement. Cherish is
attired in glasses, a dark skirt suit, white blouse, stockings and high heels. The
girls are surprised with her entrance. Cherish asks if the girls misunderstood the
wardrobe requirements, and they admit they did. Cherish first asks Vivian to show her
the garter belt and stockings. Vivian lifts her skirt slowly and erotically allowing
Cherish to drink in the view. Melba admits she doesn't have the appropriate bra.
She's told by Cherish to go to a nearby lingerie store and purchase a new bra. Melba
exits. Cherish asks Vivian to show her more bras from her tote bag. As Vivian scours
her bag, Cherish sneaks up behind her and forces a cloth over Vivian's nose and mouth.
A skirmish ensues, Vivian struggling and kicking to get free. We see Vivian's skirt
slowly inch up her legs, seeing the top of her nylons, garter straps, and white
panties. Vivian is overcome by the cloth and sags to the floor, her skirt now
hiked up to her hips. Cherish gazes at the beautiful, sleeping woman, then slowly
undresses Vivian while she's on the floor, sensually taking off her sweater and skirt,
lightly fondling her bra-covered breasts, and fingering her garters, and stocking tops.
A bit later, Melba returns with a new bra. She's stunned to see Vivian, woozy and
rope tied to a pole, dressed only in her under clothing, stockings and heels. Cherish
calmly explains Vivian is simply acting out a scene for the audition, while taking
snapshots of Vivian. She insists Melba take off her skirt and blouse, to determine if
her body and new bra are acceptable. Melba modestly slips off her skirt, then, with
her back turned to Cherish, puts on a sexy black lace bra. Cherish pounces on her
prey with the cloth in hand, knocking Melba to her hands and knees on the floor.
Cherish is vicious in her attack. Melba's glasses go flying as Cherish straddles her
like she's riding a pony. Finally, Melba succumbs, falling face-first on the floor.
Cherish drags Melba by the feet to a chair. Vivian moans softly, her hands tied above
her head, her legs straddling the thin pole in order to remain standing. Cherish uses
rope and ties Melba's stocking feet to the chair legs, as well as binding her arms
and chest to the rungs of the chair. Feeling secure she's done her job, Cherish
leaves to run an errand.
During her absence, Vivian and Melba awake, shocked at the terrible turn of events.
Melba is the first to break free of her bounds, then assists Vivian in getting free.
The two don't understand the intent of Cherish, but they know it's a foul act, and
conspire to seek revenge. When Cherish returns, she is immediately attacked by Melba
and Vivian, forced on to a daybed, and overwhelmed. The girls, still in their
underwear, remove Cherish's suit, leaving her in a very sheer black merry widow,
stockings, panties and heels. They tie her hands and feet to each end of the daybed,
as Cherish wakes up and begins to struggle to get free. She's no match for Vivian and
Melba who tickle and prod Cherish to tell them the real intent behind the fake
audition. Cherish explains she's been hired by a very wealthy client to "stage" these
kinds of auditions. In a stunning admission, Cherish tells the girls she's got a hidden
video camera to document the girls dressing and undressing, as well as all the
struggling and bondage. Vivian finds the video camera hidden under a table. We see the
camera's point of view as Vivian records Cherish tied to the day bed. Melba says aloud,
"Well, if that's what this jerk wants, that's what he'll get!" We see the girls put
make-up on the uncooperative Cherish, turning her into a "tart". Next, the girls tie
her to the pole, gagging Cherish with a stocking and add a sign "ALL YOU HAD TO DO WAS
ASK". Melba and Vivian, now dressed, exit, leaving Cherish to struggle against the
COLOR, DIALOGUE, MUSIC
Starring: LAURA PALMER, MELODY, GINGER BURKE,
and a special guest appearance by BIG LEW.
We enjoy watching LAURA PALMER walk down the street of a city. She's dressed in a
beautifully fitting blue business suit, her back seamed nylons are subtle, yet razor
straight. She enters a camera shop, looking for a gift. In the background, we see a
huge figure working behind a wall of blinds, although Laura doesn't notice him. She
finds a lovely frame and moves to the counter to pay. Little does she know the figure
behind the blinds has been watching her through the slats. From out of nowhere, Laura
is attacked from behind, a cloth placed over her nose and mouth by the huge,
male character. She's no match for the man, known as BIG LEW, as she is flung around
like a rag doll, revealing her beige stockings, black half slip, black garter belt,
tucked under her pink and blue flowered full bottom panties.
Dumped on the floor, Big Lew admires his work. Outside, MELODY looks around in
confusion, holding a city map and CHINESE TO ENGLISH dictionary. Lost, she seeks help
in the camera shop. As she peeks in the window, she just misses seeing Big Lew drag
Laura's sleeping body behind his counter, her skirt hiked up around her hips. Melody
timidly enters the store going to the counter. She says "Hello? Anybody here?" in
broken English. Lew appears from under the counter. His size intimidates Melody, and
she reverts to Chinese, backing away. Lew motions for the map. "You lost?" he asks.
Melody nods. "Find Detroit? Motown City?" Upon closer inspection, Lew says, "This is a
map of Chicago. And you're in Detroit". Melody is frightened by Lew's size and
intensity. Speaking Chinese, she backs toward the door, but is intercepted by Lew with
a cloth in hand. She screams and kicks, fighting Lew's strength. He forces her
to the ground, as Melody continues to kick and fight, showing us her beige stockings,
white garter belt, and black panties. She succumbs to the attack, her legs spread
wide open, allowing us to see every detail under her skirt.
Lew exits the store, carrying Melody over his shoulder in broad daylight. He puts her
in the rear of his SUV, tucking her next to Laura as we gaze upon their panty covered
bottoms and the porcelain flesh between their panties and nylon tops. He gets in the
driver's side and leaves. In the meantime, we see GINGER BURKE, dressed in an elegant
black leather floor length gown, pacing, with a phone to her ear. Her breasts bulge out
of the dress as she sighs in frustration. "Where is he?" she asks herself. "If he
closed the store to go play, I'm going to kick his butt!"
We next find the girls in their bras, panties, garter belts, stockings and high heels,
bent over a spanking bench in a dank, stone dungeon, their fannies perky and ready for
the sting of Lew's hand. Lew has a field day trading heavy-handed swats on Laura's and
Melody's fanny. The girls scream through their stocking gags, helplessly trying to get
free of the rope bondage on their ankles and outstretched wrists. Suddenly, Ginger
enters, shocked at Lew's appropriation of these unknown women. She grabs Lew by his
ponytail and drags him to the door, demanding him to return to the store and continue
working. Now alone with the luscious women, Ginger takes a serious interest in the two,
sensually spanking them, fondling their fannies and breasts. She releases each girl
separately, retying them to a vertical pole. She plays with each, becoming more
interested in her unexpected bounty, admiring the black lace mesh of Laura's bra, her
flower print panties and formfitting stockings, then fondling Melody's full breasts
tucked into her white bra, her silky black full-bottom panties and white six strap
garter belt. Unfortunately, Ginger has to leave to attend a dinner, but promises to
return and enjoy the two women. After her departure, we watch as Laura and Melody help
each other get free of their rope bondage and gags. Knowing Ginger will return, the two
scheme to seek revenge. As Ginger eagerly reenters the dungeon, she's shocked to see
no girls, but just clumps of rope on the ground. She's immediately attacked by Laura
and Melody, who cover her nose and mouth with a cloth. Ginger's forced to the ground as
Laura works the cloth and Melody tries to keep her arms and legs from flailing. We're
treated to Ginger's black stocking legs kicking in the air, hooked to a black girdle
over white panties.
She finally goes to sleep and the girls take off her blue polka dotted skirt and
white blouse, revealing Ginger's ample breasts in a white, lacy, sheer bra. They drag
her by her high heeled feet into another area of the dungeon. They tie her in ropes,
binding her arms and breasts, with a crotch rope forming a lovely valley between her
legs. To keep her quiet, they apply a bit gag to her. Laura and Melody indulge
themselves with Ginger, teasing her with feathers and wispy whips, teasingly spanking
and fondling her. They remove her breasts from her bra, then the two take out their own
breasts and fondly rub themselves on Ginger. Without much effort, they find Ginger is
terribly ticklish as they poke her in the ribs and finger the bottom of her feet in
gorgeous strappy heels. Satisfied with the revenge on Ginger, the two find their
clothes and leave the dungeon. Ginger's screams are muffled through the gag bit as they
Later, Lew comes back to the dungeon, hopefully to play with Laura and Melody. He's
disappointed to find the room empty, but hears Ginger's pleas for help from the other
room. He enters to find his Mistress completely helpless, trussed in her rope bindings,
bit gag, and crotch rope between her stocking covered legs. Immediately he approaches
Ginger, who assumes he's going to free her. Instead Lew begins to fondle and torture
Ginger's breasts, aggressively attacking her nipples and yanking on the crotch rope,
infuriating Ginger. Ginger's ire gives Lew second thoughts, and he ultimately relents
and frees her from her binds, to find himself once again, the slave of Ginger.
BREAKING AND ENTERING
COLOR, DIALOGUE, MUSIC
Starring: Skylar St.James & Brandon.
SKYLAR is a pretty, up and coming young executive with a great future and great
apartment. BRANDON has been staking out her digs for a number of weeks, learning her
arrival and departure times. As planned, he enters her apartment through her bedroom
window while she's at work. He busily rifles through all of her drawers, looking for
anything valuable. He's disappointed with the results. He opens her night stand drawer
to find a number of sex toys. Deciding he'll get something for his efforts, he awaits
her return from work. Skylar enters the apartment, exhausted from an intense day of
work. Her form fitting blue suit accentuates her cute figure. Instead of turning on the
TV and relaxing, Skylar drops to the couch, tucks her feet up, and falls right asleep.
When all seems quiet, Brandon exits from behind the shower curtain in the bathroom.
Without a sound, he moves to Skylar's sleeping figure and gazes on her lovely form. He
pulls out a cloth and gently places it over Skylar's mouth and nose. She struggles
against the attack, her pantyhose covered legs kicking in the air. Underneath her
pantyhose, we see her lovely cotton panties covering her secret area. She gives in to
the cloth, slumping limply into the couch. Brandon scans her sleeping form, sliding his
hands along her legs and thighs and suit-covered breasts, revealing the lacy hem of her
slip and the tightness of her pantyhose against her white panties, the form of her
secret parts clearly defined through her panties. Brandon rolls her over and slowly
unzips her skirt. He then rolls her onto her back and releases the buttons of her suit
jacket. We watch as he slowly removes her jacket, skirt and pantyhose and half slip,
leaving her in her bra and panties. He picks her up in his arms and carries her into
the bedroom, her panty clad fanny clearly visible to us. In the bedroom, Brandon dumps
her on the bed, and fondles her bra-covered breasts, thighs and private triangle, still
covered by panties. He gags her with tape and patiently ties her spread-eagle to the
bed. Skylar awakes and is shocked to find herself in such a compromised situation,
seeing Brandon in an eye mask, dressed in black. He watches as she struggles, excited
by her movements, her nipples peeking from her bra, her parts creased into her panties,
defining her lovely valley.
Brandon pulls a knife from his pocket and moves onto the bed with the wide-eyed Skylar.
Deliberately, he cuts off her bra between her breasts and fondles her pert nipples.
Then he slides his knife up the hip of her cotton panties and slices them off, slowly
pulling them away from her pelvis, revealing her lovely blonde patch. Along with
Brandon, we gaze upon Skylar's naked, compromised body. Skylar is confused with the
encroachment of Brandon, and doesn't understand what he wants. Brandon goes to the
nightstand and pulls out one of Skylar's toys, and lubricant. Skylar begins to
understand what Brandon wants. Skylar chooses the Toy. Brandon adjusts Skylar's bindings,
so she has more freedom, then gets on the bed with Skylar. He hands her the lubricant
and TOY, stating "If you show me how well you can please yourself, you will
live. If you fail to have an orgasm, I will slice you up" Skylar applies the lubricant,
and slowly begins to run the dildo on her sensitivities. Brandon moves closer to Skylar
and fondles her thighs and breasts as Skylar becomes more focused on her mission.
We are Brandon's eyes as we closely watch the movement of the TOY as Skylar's hips raise
off the bed as Brandon sucks and fondles her breasts. Skylar's moaning becomes more
intense with her self-pleasuring. Her breathing comes in short bursts while Brandon
increases his fondling and sucking. Finally, with her hips high off the bed, Skylar
begins to spasm and climax with wanton desire. As her orgasm subsides, Brandon smiles
with approval and rewards Skylar with the cloth until her body becomes limp. Then we
watch as Brandon unties Skylar while sleeping, and exit the apartment by way of the door.
BROOKE GETS CARRIED AWAY
COLOR, DIALOGUE, MUSIC
Starring: Brooke Bennet
Our heroine arrives at the photographer's studio for a portrait sitting. She's dressed
sensually in a formfitting ensemble, back seam stockings, and strappy black high heels.
Upon entering the studio, she finds herself alone. She decides to preen a bit, sitting
at a vanity touching up her make up, then standing to make sure her back seams are
straight. We see just a hint of her stocking tops on her very long legs. Her hair is
piled high on her head, making her look very elegant. We enjoy a "voyeur's" point of
view as we see Brooke admire herself and her body while alone, so very curious to know
what Brooke prefers to wear under her clingy outfit, since we see hints of panty line,
and the definition of where her stockings are hooked to her garters. Brooke takes a
seat in an overstuffed chair, leans back and relaxes. We see her cross and uncross her
long legs, occasionally bobbing her high heeled foot. Suddenly, Brooke is attacked from
behind, a cloth forced against her mouth and nose. Her hands grab the arm of the
assailant, trying to get free, but to no avail. From a low angle, we're privileged to
watch as Brooke squirms in the chair, her legs flailing in the air, exposing her black
foundation garment, framing the white triangle of her secret area. She succumbs to the
cloth, becoming limp, sagging deep into the chair. Her assailant takes advantage of
this moment to slide his hands along her arms and thighs, sliding his fingers into her
Now the assailant comes around to the front of the chair a deftly picks up Brooke, her
body sinking into his arms. We're treated with Brooke's exposed fanny, her stockings,
and her slightly crooked seams as he carries he toward the daybed. He places her on her
back on the daybed and ogles her sleeping splendor, admiring her gorgeous face,
round breasts, curvy hips, her long, long legs and high heeled feet. He can't resist
fondling her legs, sliding her skirt hem to the tops of her stockings. He sits picking
up her torso, leaning her against his body. Slowly, he takes the stretchy fabric of her
top and pulls it down her arms, exposing her white lace bra. The assailant now lifts
the top, pulling it over Brooke's head and tossing it aside revealing her perky white
lace covered breasts.
Next, he rolls Brooke onto her tummy and slides her tight-fitting skirt off her waist,
down her hips, across her thighs and calves, pulling it free from her pointy heels.
Again, he takes time to enjoy the view, pleased that Brooke had chosen to wear a black
open-bottom girdle over her white panties. We follow his eyes as they examine her back
seams from the top of her stockings to her high heeled feet. He rolls her on her back,
know knowing her girdle has four garters to hold up her stockings. The girdle doesn't
quite cover the white triangle between her legs. Brooke's white bra supports her
breasts with lovely, delicate lace. Finally, he takes her long, streaked blonde hair
down, flowing across the bed. The assailant picks up Brooke in his arms, her arms and
legs dangling, which accentuates the suppleness of her body. He carries her out the
door. Next, we're at the end of a very long hallway. The assailant enters at the far
end, carrying Brooke. Her arms and legs swing limply as he moves closer to us in the
hallway, allowing us many angles and views of her form and long hair, until he's very
close, then exits frame. Inside a stone dungeon, Brooke is seated in a tall swivel
chair, still sleeping. We see close shots of the detail of her girdle, the garters
tugging on the welt of her stockings, and the lovely arch of her back and round bra-
covered breasts. The assailant is proud of his conquest as he slowly swings the chair
for a 180Â° view of Brooke, and runs his hand through her long thick hair, allowing it
to swing freely over the back of the chair. Finally, we are treated with a toe to head
ogling of Brooke in her black girdle, white full-bottom panties, dark, back seam
stockings, and white lacy bra.
COLOR, DIALOGUE, MUSIC
Starring: Levidity & Xaina
Xaina is getting dressed and applying her makeup when a popular reality show comes on
TV. This gives her a great idea. She finishes dressing and goes to the couch in the
living room to wait watch more TV and wait for Levidity to get home.
Levidty arrives home from a long day of shopping to find her roommate Xaina waiting for
her on the couch. Xaina's bored with the television and happy to have her friend home to
entertain her. After some chit chat on the couch, Xaina tells Levidity that she has an
idea for a fun game, but Levidity has to trust her.
Cautiously, Levidity agrees and allows Xaina to blindfold her and handcuff her wrists
behind her back. Next, she's led blindly up the stairs to an awaiting "obstacle course"
of donuts hung from strings at all different heights.
Xaina describes the scene to her nervous captive, explaining what her job is next. She
tells Levidity that she must take a bite out of every single donut (all while
blindfolded & handcuffed) within a certain amount of time. Levidity understands, and on
Xaina's word, gets to work trying to win the game.
Xaina is very entertained by the fumbling display and begins touching herself over & under her clothing while she watches Levidity's efforts. She eggs her on and teases her
which just makes Levidity more frustrated. Levidity's face is sticky and shiny when she
asks if she's gotten them all yet. Of course she hasn't and Xaina tells her so. But
instead of allowing Levidity to finish her task, Xaina goes over to her desk and pulls
out a cloth which she quickly forces over Levidity's nose and mouth. A struggle begins,
but Levidity is no match for her attacker with her hands cuffed behind her back.
The girls wrestle all over the room, but eventually Xaina overpowers her and gets her
to sleep on the floor. Xaina admires her sleeping beauty for a few moments, then grabs
her under the arms and drags her up onto the bed. Xaina makes quick work of tying
Levidity's wrists and ankles to the bed with rope. Knowing Levidity will be howling mad
when she wakes up, Xaina sticks a big fat piece of tape over her mouth to keep her
With Levidity sleeping, Xaina decides it would be fun to take a crack at the donut game
herself. She puts the billfold on herself and attempts to bite the treats. She finds
the activity very erotic and touches herself the whole time. Remembering she has bigger
fish to fry, Xaina abandons her fun and returns to the bed.
Xaina's right, Levidty is furious as she wakes up and realizes her dilemma. She
attempts to scream through her gag, but it's no use. Xaina tries to calm her and
explain why she's bound. She explains that there are 2 parts to the game and Levidity
is just going to have to play along to be declared winner. Left with no choice, Levidty
agrees to finish the game and remains quiet when Xaina removes her gag. Xaina grabs a
pair of scissors and climbs on top of Levidity. Tauntingly, she cuts away at Levidity's
clothing one piece at a time. First, her black sweater is cut right off of her, her bra
is already pushed up, exposing her breasts. Next, her tight pink skirt is cut off.
Finally, Xaina cuts off Levidity's panties. This frightens her a bit and Levidity tries
to protest, but can't do anything about it.
Xaina runs the scissors up and down Levidity's body causing her to shiver as Xaina
explains that Levidity is going to masturbate for her with the TOY of Xaina's choosing
if she has any hope of winning this game. Reluctantly, Levidty agrees so Xaina unties
her wrists and supplies her with her TOY. Xaina stand back and watches as Levidity does
as she's told. Thrilled with her entertainment, Xaina slips out of her skirt and
sweater unable to stop touching herself. As Levidity completes her task, Xaina has one
hand in her panties and the other fondling her breasts.
When the game is over, Xaina tricks Levidity and whips out the cloth and puts her right
back to sleep so she can take advantage of the situation and finish Levidity herself.
Once satisfied, Xaina abandons her sleeping victim and goes downstairs for more
COLOR, DIALOGUE, MUSIC
Starring: Lauren Kain, Laura Palmer & Ginger Burke
First, a petty thief, GINGER BURKE, breaks into an apartment she has staked out for
several weeks. She's expert at her craft, seeking only jewelry and small items of
value. She's dressed in black leather pants and a little black V-neck top. She boldly
rifles through the drawers in the living room, disappointed with the meek findings.
Ginger moves into the bedroom, encouraged to find the tenant's jewelry box. Then she's
disappointed with the quality of the find. She hears the front door opening, and hides
in the shower/bath unit. LAUREN KAIN enters, dressed in a formfitting leopard print
blouse, a clingy black skirt, beige pantyhose, and black heels.
As soon as she enters, she can tell someone's been snooping in her stuff. She
immediately goes to the phone, but before she can contact the police, Ginger grabs
Lauren from behind and threatens Lauren with a knife. She deftly ties Lauren's hands
behind her back with rope and while she's at it, steals the ring from Lauren's finger,
then pushed her down on the couch. With another hank of rope, Ginger binds Lauren's
ankles together, as she pleads not to be hurt. Ginger accommodates Lauren by placing a
wide strip of duct tape across Lauren's mouth, then continues to bind her knees
tightly together with more rope, thwarting an attempt of Lauren to get to the phone
We watch as Lauren squirms and wiggles on the couch, her breasts heaving against her
blouse, her tight black skirt inching up as she struggles to get free. Ginger, the
disappointed thief, leaves Lauren's apartment in disgust. On the couch, Lauren
sensually writhes against her rope bindings, pushing her hips up and out, and twisting
her torso right and left in her futile effort to get free. Her skirt continues to
shimmy up, showing us more of her shiny beige pantyhose, the hem of her skirt stopping
just short of showing us the color of Lauren's panties. Using all her strength, Lauren
finally stands. We watch her "hop" across the room to the kitchen table, where Ginger left the knife. Carefully, Lauren takes the knife and saws off the rope bindings on
her wrists. She removes the duct tape from her mouth, and hops to the phone and calls
LAUREN KAIN relaxes on her couch, reading a magazine. She's dressed in a white silk
blouse, a shiny, tight red skirt, and red stiletto pumps. She crosses and recrosses
her legs, allowing us tempting shots of her legs and thighs. There's a knock on the
door. Lauren opens it to find GINGER BURKE, dressed in an elegant business suit.
Ginger offers Lauren an opportunity to look at her line of intimate apparel. She's
invited in, and as Lauren wends her way to the couch, Ginger sticks a knife against
her throat and forces her down on the couch. Ginger ties Lauren's hands behind her
back with rope, then proceeds to tie her ankles tightly together with more rope.
Lauren's loud objections forces Ginger to slap a strip of duct tape across her mouth,
then she binds Lauren's thighs together, just above the knees. Ginger then goes into
the bedroom to search for some jewelry to steal.
At the same time, Lauren's roommate, LAURA PALMER comes home. She's wearing a tight
black skirt, off-white short sleeved blouse, black pantyhose and black pumps. She
immediately sees Lauren squirming on the couch, and rushes toward her. Laura's
intercepted by Ginger and is forced to sit in a straight backed chair. Duct tape is
applied to her mouth, her hands are bound with rope behind her back, her ankles are
bound, as well as her thighs, just above the knee. Then Ginger wraps rope under
Laura's breast and behind the chair, making her nearly immobile. Watching Lauren
wriggle on the couch, attempting to get free, Ginger decides to put Lauren and Laura
together. She forces Lauren to stand, and makes her "hop" to another straight back
chair behind and facing away from Laura. Ginger inspects the bindings on both, assured
with the security. As an additional protection, she wraps roping around Lauren, also
just below the breast. Disappointed with the lack of any valuables in the apartment,
Ginger leaves. We are allowed to watch as Laura and Lauren squirm, arch and wiggle
against their rope bondage, their skirts slowly hiking further up their thighs,
tempting a quick glimpse of what the women wear under their pantyhose. With extreme
effort, the two get free enough to "hop" over to the phone in order to call the police.
A DENTIST'S DREAM
COLOR, DIALOGUE, MUSIC
Starring: Lauren Kain & Laura Palmer
It's the day LAURA PALMER dreaded most. A toothache forces her to immediately find a
dentist to relieve her pain. She finds one that can see her on short notice. Generally
uncomfortable with dentists, she has no choice and enters the office of Dr. S. Bush.
She's greeted by Dr. Bush's new nurse, LAUREN KAIN, dressed in her extremely short and
revealing white outfit, white lace top stockings, white high heeled pumps at the
reception area. Laura's dressed in a lovely burgundy print wrap dress, the V shaped top
accentuates her excellent breasts, while the slit up the middle of the skirt portion
needs constant "closure" attention. She's wearing black pumps and off-black pantyhose.
Lauren informs Laura she's expected, and watch as Lauren stands from her chair, seeing
a peek of her lovely lace bikini panties and stay-up stockings. Lauren guides Laura to
the dentist chair, and does a cursory check of her tender tooth. A low angle allows us
to see Laura's panties and the tops of her stockings. Just then, Dr. Bush enters and
takes over. He examines Laura's mouth, and concurs immediate work must be done. Laura
once again forewarns the doctor she is afraid of any procedure; the doctor assures her
she'll be safe and secure. He turns on the valve and applies the clear mask to Laura's
face. Laura takes on a panicked behavior and begins to fight the doctor. Excellent
angles show us Laura's legs as she squirms in the chair, as well as her frightened
expression as the doctor keeps the mask pushed against Laura's face. Laura's eyes roll up and her eyelids flutter as she enters the sleepy zone, one leg falling off the chair.
The doctor takes full advantage of the luscious view, from Laura's feet, moving up to
her barely-covered crotch, and to her breasts. He slides Laura's dress off her
shoulders, revealing her sheer flowery and lace black bra, cupping her gorgeous breasts
and pink nipples. He freely fondles Laura's breasts tucked in the bra, noticing her
nipples becoming more erect. He slides his hands down to Laura's legs, stroking and
fondling her pantyhose-encased legs, seeing the intricate lace work of the panties
under the pantyhose at the most secret place. The doctor takes several hanks of rope
from his cabinet and lovingly binds her legs and arms to the nearly-prone dentist
chair. Now free to explore, the doctor fondles Laura's breasts and legs and private
parts. Then he exits the room, with an idea in mind.
We're special guests as we admire Laura, sleeping and vulnerable in the chair, freely
examining the lace work of her bra and panties. Casually, Lauren enters the room to see
how Laura's doing. She's stunned to find her bound to the chair, with the mask still on
her face. Immediately, Lauren begins to free Laura from the chair, but she's
interrupted by the good doctor, who forces a mask onto Lauren's face. She struggles
valiantly, her legs kicking in the air, exposing her lace panties and stockings. She's
no match for the doctor as he drags her limp body from the examining room. Next, we see
the doctor carrying Lauren over his shoulder, able to see her lace covered fanny, and
stocking tops. The doctor places her on the couch in the reception room. The doctor
takes off her uniform, leaving her in her white lace bra, white lace bikini panties,
white stay up stockings, and white platform heels. She's bound with rope and gagged
with a white stocking. The doctor enters the exam room, as Laura begins to awake. He
applies the mask to Laura and she slumps into a deep sleep. We're allowed close up
looks as the doctor fondles Laura's breasts and legs. In the reception room, Lauren
awakes. The doctor attends to Lauren, quickly putting her back to sleep.
When she awakes, she's bound and gagged, now wearing a cheerleader's outfit, shiny
pantyhose, and gym shoes. As she struggles, Laura is carried over the shoulder by the
doctor into the reception room. We're greeted by Laura's lovely fanny cradled in white
lacy panties, a short plaid private school girl skirt, above the knee white socks,
black patent leather "Mary Jane's", and a white blouse. As she's dumped on the couch,
we see she's in pig tails, also gagged with a white stocking. As voyeurs, we watch the
two as they slowly become conscious, trying to help one another get free. The doctor
enters with fabric protection masks. He straps them to the faces of the girls and
watches as they try and squirm from danger. Slowly, they fall into slumber. The doctor
cradle-carries Lauren into the examination room and places her in the chair. He applies his mask to her as she squirms and kicks to get free. This overwhelms her. The doctor
freely fondles her shiny panty enclosed legs, coming close to her private parts,
covered by her shiny red panties. He slides his hands to her cheerleader shirt, pulls
it up and examines her ripe and pert breasts.
In the reception room, Laura struggles to get free, attempting to get to the door and
freedom. The doctor senses her exit, and grabs Laura before she gets to the door,
placing a mask on her face. Her struggle is futile as she slumps into the arms of the
doctor. He picks her up and cradle carries back to his dentist chair. He administers
the mask on Laura, making sure she's unconscious. He unbuttons her private school
blouse, fondles her lace-clad breasts, then explores her above the knee stockings and
white lace panties. Laura begins to awake as the doctor fondles her. He applies the
mask and watches Laura. She seems relaxed and she smiles as she slips into slumber.
COLOR, B&W, MUSIC
Starring: Fiona Swan & Andrea Morgan
This class isn't listed in any school curriculum. FIONA SWAN is a true believer in
expecting only the very best from her Handmaids. And the only way to teach them, is to
start from the "bottom" up, so to speak. ANDREA MORGAN is the student Maid today. Her
inability's and lack of know-how frustrates Fiona to the point where she must be
extremely forceful with Andrea in almost every task. Our presentation begins as a black
& white movie, reminiscent of the early 1950s when women knew how to behave like women.
We see Fiona relaxing in her favorite lounge chair, dressed in a white, steel boned
corset, black bra, black full bottom panties, vintage black back seamed stockings and classic black strapped platform pumps. She fondles her long cigarette holder in her
black, elbow length gloves which button at the wrist. Maid Andrea is dressed in a
skimpy black and white maid's uniform, white lace panties, black stockings and
black strappy open toe high heels.
We watch as the black & white film slowly transforms into color, while Fiona crosses
and recrosses her long legs, sensually smoking and enjoying the feeling of her silk
stockings. The entire performance is done with no dialogue, only accompanied with
music. Andrea first lights a few candles, then lights Fiona's cigarette. Satisfied
with her technique, Fiona wishes her shoes to be cleaned and shined. Andrea complies
and meticulously cleans every inch of Fiona's shoes, while Fiona relaxes and has
several more cigarettes. Fiona rises, gesturing to Andrea to adjust the many straps
on her unique corset, located along Fiona's rib cage. The corset has very interesting garters rather than a single strand of elastic with the steel garters attached, each
garter has two straps which connect at the base of the corset and run into a V shape
where the garter itself is attached.
Fiona is clearly agitated with Andrea's fumbling fingers and her lack of knowledge
regarding the tightening techniques. When Fiona moves to the mirror to peruse her
image, she is furious with Andrea's poor job of proper corset binding. She forces
Andrea onto her stomach across an overstuffed ottoman. Using a very stiff black
leather riding crop, she unleashes a barrage of stinging blows to Andrea's
lace-covered fanny. Immediately, Andrea's bottom becomes bright pink as we are
treated to a slow motion low angle view of the way Andrea's flesh reacts to the
riding crop. Fiona then uses her gloved hand to punish Andrea further, again, slow
motion shows the impact of Fiona's wrath. Andrea winches in painâ€¦or is it pleasure?
Like a mistress reproaching a bad puppy, Fiona waves Andrea away, demanding her to
fetch Fiona's party dress. Andrea returns with a beautiful burgundy color satin
affair, highlighted by a full, above the knee skirt. We watch as Andrea helps Fiona
into the dress - it's a perfect fit. Andrea adds sparkling French cuff links and a
wide belt with a matching belt buckle also studded with sparkling rhinestones. From
a low angle, we see Fiona do several twirls, the full skirt lifting sensually with
the motion, revealing Fiona's stocking tops, garters, and her full bottom black
panties. Fiona is very pleased with her perfect look, and blithely takes Andrea in
her arms for a little dance. Close up angles on the women's lovely high heeled feet
as they slowly twirl. The reverie is short-lived.
Fiona notices a run in the heel of Andrea's stocking. She's shocked at Andrea's lack of
pride in her personal appearance. Furious, Fiona shoves Andrea face-first into the
overstuffed chair, manipulating her so her torso is over the back of the chair, her
lovely bottom exposed for an additional scolding by Fiona. Again, slow motion allows us
to see the lovely results of a swift hand against a supple fanny, as Fiona reprimands
Andrea. Obviously, Andrea is a slow learner and needs further discipline. Fiona places
a white leather collar to Andrea's neck, as well as white leather cuffs to each wrist.
A lead chain is attached to the collar. Andrea is forced onto her hands and knees and
is led out of the room by Fiona. Now in Fiona's cellar, Andrea remains on her hands
and knees, as Fiona sits in a taller than normal chair. Fiona points to a pair of white
patent leather, lace up, knee high boots, demanding she put them on Fiona.
Andrea first removes Fiona's lovely black heels, sensually massaging her stocking clad
feet, desperately trying to regain Fiona's approval, who merely looks down at Andrea
and blows smoke in her face. Fiona signals to Andrea she wishes to have her boots put
on. Andrea slides one of Fiona's luscious feet into the boot, and begins the long
process of lacing. As she proceeds, we see Fiona's gorgeous thighs and hints of her
panties. From Fiona's point of view, we see Andrea sitting on her haunches, her lovely
breasts blossoming from the top of her maid's outfit. Finished with the lacing, Andrea
assists Fiona as she stands. The boots are a lovely addition to the outfit, but Fiona
knows her hopes for an evening out have been ruined by Andrea's inadequate behavior.
She motions for Andrea to help her out of her dress. Andrea complies. Then Fiona takes
off Andrea's outfit, revealing her white lace bra, white lace garter belt, and luscious
lace panties, then leads her to a massive concrete buttress.
Fiona clips Andrea's wrists together, then attaches them to an overhead hook. She then
applies white leather cuffs to Andrea's ankles, adding a very wide spreader bar between
them. Andrea has a hard time remaining vertical. Fiona gathers a collection of items to
extend Andrea's "learning curve". First, she's whipped lightly from shoulders, breasts
and toes with a long, flexible tool with wispy tendrils. The sensation feels erotic and
imposing to Andrea, as Fiona knows precisely how to apply the proper amount force.
Next, Fiona applies her firm hand to Andrea's bottom, reminding her that being a proper
Maid requires stern instruction. Fiona tickles Andrea with a metal, feather-like toy,
again creating an erotic yet sharp sting to the flesh. Andrea is abruptly spun around,
exposing her lovely pink bottom, and Fiona has another go at deepening the color of her
fanny. Next, we see Fiona, seated in her overstuffed chair, in her white boots, corset,
bra, panties and stockings. She seems relaxed again, crossing and uncrossing her legs.
This time, with only a slight gesture, Maid Andrea appears with the cigarette holder,
cigarette, and matches, attentive to Fiona's desires, as the movie once again regresses
to old time black & white film.
This is an exquisitely choreographed visual treat, sure to delight those who adore
classic cheesecake female dominance and bondage.
COLOR, DIALOGUE, MUSIC
Starring: Laura Palmer & Cherish
Who doesn't like dessert? CHERISH has a very successful catering company, specializing
in rich, delicious desserts - pies, cakes, tortes, puddings - you name it, Cherish and
her assistant, LAURA can create it. They use the best, freshest ingredients, so you know
the results aren't cheap. Laura takes a call from MR. RICHARDS, one of Cherish's most
valuable clients. He's having a business get-together and makes a huge order for pies
and cakes. We can tell by the way Laura talks to Mr. Richards on the phone, they have a
bit of a crush on one another. We see Laura with her gorgeous blonde hair pulled back, a
lovely, print dress, apron, back seam stockings and white open toed high heels, giggling as she takes the order.
Just then, Cherish arrives in the kitchen. Her lovely brunette hair is also pulled up,
in a print dress, apron, back seam stockings, and strappy black high heels. Laura gushes
to Cherish about how wonderful their client is, and how she thinks he has a thing for
her. Cherish is no dummy, and warns Laura not to fraternize with her clients, since
Laura is merely an assistant. You can feel the tension "rise and bake" between the two
as they prepare to make the pies and cakes. But Laura is relentless in her admiration
for Mr. Richards, going on and on about the mutual feeling between them. Cherish, is not
only impatient with Laura, but we can also see some jealousy coming to the surface. As
Cherish barks commands to Laura to do menial tasks, Laura begins to resent the way she's
being treated. She "accidentally" starts dropping raw eggs on the floor, simply to
irritate Cherish, and then refuses to clean up the mess.
Laura's pouting turns to stubbornness as Cherish orders her around the kitchen. Laura
takes several dollops of whipped cream and flings them on the floor, some of which
spatters on Cherish's spotless shoes and stockings. Cherish forces Laura to the ground,
making her lick the lovely white goo off her shoe and leg. Enraged, Laura rises and
takes handfuls of black cherries and tosses them on the floor. "Pick this up! Now!",
Cherish screams. Laura stomps her foot, laughs at Cherish, and flatly refuses. Out of
rage, Cherish takes the handfuls of cherries and syrup and throws it at Laura. A food
fight is officially on. No ingredients are held back: chocolate pudding, whipped cream,
more fruits and juices fly through the air, each woman becoming more and more soaked
with delectable sweets.
Enraged, the two begin pulling hair, tearing clothes, and wrestling one another to the
ground. Plenty of eye-appealing angles as the girls go at it, revealing upskirt views as
the messy goo slides into their most private places. The two have torn each others
dresses off, and are writhing on the floor in full white slips, now transparent from all
the liquid. Laura gets free, shakes a bottle of champagne and uncorks it on Cherish, the
foam revealing the clear panty, bra, garter belt and stocking lines underneath her slip.
Cherish counters with a gallon of vegetable oil, completely dousing Laura, her slip now
nearly invisible, exposing the details of Laura's lacy white bra, white panties under a
white waist cincher with garters barely holding up her torn stockings. It's anybody's
guess who's going to win, until Cherish climbs on Laura's back, pulls up her slip and
gives her several dozen hard wallops to her the sheer panty covered fanny. The sting
gets Laura's juices flowing. She slides away from Cherish, grabbing more champagne,
hosing Cherish down.
Cherish, not to be outdone, takes a fresh can of whipped cream, and sitting on the floor
with her back leaning against a cupboard, shakes the can, puts it between her legs, aims
it like a tommy gun and squirts the lovely white cream across the room at Laura - a very
symbolic shot, indeed. We're sure Mr. Richards has no idea what a prized client he is!
But Cherish, ever the demanding boss, takes Laura into the bathroom, and forces Laura to
clean her up, "top to bottom", under the warm spray of the shower.
The two are still in their slips, as we see the water run down their sweet and stained
skin and lingerie. Close up details show Laura carefully picking cherry pits off
Cherish, as they take off their slips to get at the ooze and goo from other interesting
places. Their bras, garter belts, panties, stockings are now completely sheer, their
original white colors now stained pink and blueberry, blending with the loveliness of
their soaking flesh. Still, the not-so-bright Laura continues to insist Mr. Richards is
interested only in her. Cherish patiently allows Laura's ranting, yet we sense Cherish
has another plan in mind. After the two soap and clean each other completely, we find
them in Cherish's bedroom putting on clean bras, panties, garter belts, stockings and
heels. Cherish is now in a lacy sheer black bra, black full bottom panties, black lace
garter belt, black stockings, and black strap heels.
Laura is in a white lace bra, white full bottom panties, white garter belt, beige
stockings, and white high heels. As Laura attaches her stocking to a garter, Cherish
warns Laura to watch her step regarding any advances toward her client, Mr. Richards.
Since both girls' dresses are completely ruined, Cherish and Laura go to fetch other
dresses stored in Cherish's cellar. As the two descend the stairs into the old basement,
Laura hugs herself against the cool air. Cherish motions to Laura to look in a chest for
the dresses. When Laura bends to look into the chest, she's violently attacked by
Cherish who places a cloth over Laura's face. The two struggle to the floor, Laura
writhing and kicking, but no match for Cherish's determination to get rid of her
Laura succumbs, falling to sleep on the floor. Cherish then places leather restraints on
Laura's wrists and ankles, and drags her to another section of the basement. Next, we see
Laura standing, although wobbly, her wrists chained above her head to a metal beam. She
looks down to see Cherish attaching a spreader bar to each ankle, forcing her legs wide
apart. Despite Laura's pleas to be freed, Cherish has no intention of letting her go,
since it's obvious Laura still wishes to make a run at Mr. Richards. As a matter of fact,
Cherish has other plans for Laura.
She grabs a huge squeezable bottle of chocolate syrup, and begins dripping and drooling
it on Laura, first in her hair, then her shoulders, then on her breasts, and continuing
the flow across her stomach, fanny, thighs, and stockings. Finally sick of listening to
Laura's constant jabbering, Cherish silences her with a stocking gag, and goes back to
swirling the thick chocolate over Laura's body, between her legs, more on her fanny,
occasionally sucking the luscious syrup from her own fingers. As with any good pastry
chef, Cherish tops off her wonderful dessert with whipped cream, using her fingers to
blend it into the chocolate, and Laura's lovely flesh. Cherish steps back and admires
her creation. As Laura wiggles, Cherish sucks the sweetness from her fingers, and
ascends the stairs, preparing herself for her very important client, Mr. Richards.
We end, watching the hapless Laura, full of goo, in her futile struggle to get free.
THE GAMES GIRLS PLAY
COLOR, DIALOGUE, MUSIC
Starring: Laura Palmer & Lauren Kain
Roommates LAURA PALMER and LAUREN KAIN lounge on the couch, bored with the TV
programming. Needing some excitement, they try and come up with a game to play. Lauren
shyly introduces an idea called HOUDINI, sure that Laura won't go for it.
The game involves one girl tying up the other girl. The girl that's tied up gets 2
minutes to get loose. If she fails to get free, she must submit to a second bondage
session. Naturally, Lauren persuades Laura to be the first to be bound. She leaves the
living room, and, not surprisingly, returns with a basket full of ropes, gags, and
Laura is instructed to lie on the floor on her tummy. Lauren obviously had played this
game before as she clasps handcuffs on Laura's wrists behind her back. Next, she deftly
applies rope bondage to Laura's ankles, runs a rope from Laura's ankles to her
handcuffed wrists, and settles back to watch Laura struggle to get free. Laura arches,
rolls and twists to get free. Her attempts are futile, and after (more than) two
minutes admits to Lauren she is unable to get free and Lauren wins the first round. As
she removes the binding from Laura, Lauren coyly reminds Laura she must be bound again
according to the rules.
This time, Laura is on the floor, again on her tummy. Lauren uses rope to bind Laura's
wrists behind her back, uses more rope to tie her ankles to her thighs just above her
ankles, then uses heavy cloth to blindfold Laura who objects vehemently.
Amused, Lauren sits on the ottoman, slowly and sensually removes her pink knee-high
socks. Laura is stunned as Lauren takes one sock and deeply stuffs it in Laura's mouth,
muffling her objections. She takes her other sock and uses it as a gag, tying it across
Laura's mouth and behind her head.
As Laura rolls, arches and struggles, Lauren amuses herself by tickling Laura's
stocking clad feet, ribs and thighs. It's obvious Lauren loves the game as Laura
demonstrates her dislike for the game. After a very long two minutes, Lauren frees
Laura from her bounds while she complains how unfair the game was.
Lauren puts on her wet and lipstick-stained knee hi socks, listening to Laura's
objections, insisting the game was played by the rules. Laura cajoles and dares Lauren
to be tied up and get loose in two minutes. Lauren lets Laura know she's not afraid or
intimidated, and answers the challenge.
Lauren lies on her tummy. Laura snaps the handcuffs on Lauren's wrists. Next, Laura
uses rope to bind Lauren's elbows together. She takes another hank of rope to tie
Lauren's ankles together, using the spare length to bind Lauren's ankles to her
handcuffed wrists. Laura then takes a linen cloth to blindfold Lauren.
Next, she tickles Lauren's feet and ribs, discovering Lauren's most sensitive areas.
Lauren rolls, twists and wiggles, attempting to avoid Laura's fingers.
Surprisingly, Laura stops her teasing, putting on her black high heels, and announces
going shopping. Leaving Lauren alone to try and get free. As Laura exits, Lauren curses
herself for instituting the idea in the first place.
B&W, COLOR, DIALOGUE, MUSIC
Double Bill: Girl Wars/Lingerie Espionage
Note: Time shown reflects total time of double feature.
Starring: Cherish, Brenda Starr & Wanda DuPre
The good thing about a roommate is, she helps pay the rent. The bad thing about a roommate is she helps herself to your wardrobe. It's 7:30 in the morning. CHERISH is
in the bathroom in her sheer black lacy bra, putting on her make up. BRENDA saunters
in, her blouse unbuttoned, showing us her very sheer white lace bra. Cherish notices
Brenda's wearing one of her favorite skirts. "Big deal". I won't ruin it", is Brenda's
glib reply. Cherish has one of her gorgeous gams up on a chair, attaching her stocking
to her garter as Brenda leaves. "Don't ruin that skirt!" Cherish warns. We watch from
the street as Brenda descends the stairs from their brownstone. If you look close, you
can see the outline of her panties and garters in the formfitting gray skirt as Brenda
walks towards us, then down a narrow walkway.
Later, we catch Brenda on her return home. You don't have to look close to see she has
indeed stained Cherish's skirt. Upon entering the flat, Cherish is furious, but Brenda
doesn't seem to care. Cherish grabs Brenda by the hair and drags her into the
bathroom. She shoves Brenda onto the toilet seat, turns on the bathtub spigots, and
proceeds to take off her sweater and necklace, showing us close-up details of her
sheer, black bra. Next, she sits on the edge of the tub in her skirt and heels, and
forces Brenda over her knee, fully clothed. She begins her reprimand by giving Brenda
several very hard wallops on her lovely fanny, still covered in the stained skirt.
Then Cherish forces Brenda, fully clothed, high heels and all, into the full tub. She
uses a washcloth and vigorously begins to clean her skirt, as well as the rest of
Brenda. We're treated with several lovely angles of Cherish's jiggling breasts as she
puts elbow grease into her work As she scrubs the skirt, we see Brenda's black
stockings, attached to a lavender garter belt and black panties. Cherish's technique
is extremely rough, forcing Brenda's blouse open, revealing her wet, lace-covered
breasts, which also get washed.
Cherish is very vindictive, and she's not through teaching Brenda a lesson. She makes
Brenda stand in the tub, soaking wet and fully clothed, warning her the worst is yet
to come. Our movie turns from color to black and white as Cherish reappears in a
leopard print one piece bathing-suit (reminiscent of classic BETTIE PAGE styling)
along with black thigh high boots, her brunette hair now undone and down to her waist.
Inside a closet, she opens a trap door in the floor, revealing a secret fruit cellar.
Brenda is now in her lovely white bra, lavender garter belt, black panties, black
stockings, and black strap high heels. Cherish pulls her down the steep stairs into a
stone walled room. Cherish sits in a straight back chair and motions for Brenda to
join her. Brenda lays on Cherish's lap, and we see several different angles as Cherish
applies at least a dozen hard hand spanks to Brenda's gorgeous panty clad fanny.
As a prelude to Brenda's next punishment, we're treated with a close up, detailed
shot of her sheer bra, pale, perky nipples, and small droplets of water sliding down
her rib cage. She holds her arms out and Cherish attaches black leather restraints to
both wrists. Cherish chains Brenda's wrists to an overhead pipe, then we watch as
Cherish applies ankle cuffs and a very wide spreader bar, forcing Brenda's lovely legs
wide apart. Cherish can't resist lightly fondling Brenda in her restraints. Satisfied
with her work, Cherish leaves Brenda to writhe and struggle. But Brenda refuses take
her punishment "lying down". She figures out how to get free of the wrist restraints,
then the spreader bar. We watch as she prowls the basement seeking an escape route,
awarded with close up and full length frontal and rear views as she explores. She
finds a door, pulls the handle, only to be greeted by Cherish, still in her leopard
pin up bathing suit, as if Cherish knew Brenda would escape. Again, she grabs Brenda
by the hair and drags her back into the stone room.
This time, Cherish uses intricate rope bondage to secure Brenda, including a rope gag
to keep her quiet as she stuffs her in a tool room. "Nighty-night". Cherish says with
glee as she slams the door, leaving Brenda in total darkness. It's late afternoon when
we next see Cherish arriving home, dressed in a lovely pin-stripped skirt suit, white
blouse, black heels and stockings, ascending up the stairs to the brownstone, her
lovely fanny wagging in her tight skirt. She enters her flat after a hard days work
and takes off her jacket, and is immediately attacked by Brenda who shoves a cloth
over her face. Cherish drops like a rock. Brenda, now dressed in a formfitting
sweater, short breezy skirt, black stockings and heels, drags Cherish by her ankles
into the stone room, her skirt hiking up, revealing her black stocking tops, and a
hint of garter. She dumps Cherish on a tarp and unbuttons her blouse, revealing her
pale yellow lace and mesh bra, Cherish's pink nipples clearly visible through the
fabric. We watch as Brenda lifts Cherish and takes off her blouse, one sleeve at a
time. Then she rolls Cherish onto her tummy, and unzips her skirt and pulls it off,
rolling her over and onto her back, and gazes at her conquest.
We're treated with Brenda's point of view close-up from Cherish's black strap heels,
along her expensive black nylon encased legs to the top of her stocking welts and
garter attachments, across her sheer, one-piece garter panty, and see a hint of the
feathery, trimmed area of Cherish's private parts, to her pale pink nipples underneath
her yellow bra. Brenda uses rope and wraps each of Cherish's ankles. Then, she ties
her wrists together. We're witnesses to "the tables are turning" sequence, as Brenda
gives back the same to Cherish. Cherish, now awake and standing is defiant and livid
when Brenda takes a seat in the straight-back chair, pats her lap, demanding Cherish
take a turn at some corporal punishment. Cherish, reluctantly hobbles her way to
Brenda, folding her body across Brenda's lap. Several angles allow us to see the sting
of each of Brenda's hand swats on Cherish's fanny, including the wince on her face and
the way her breasts bobble from the blows. Next, Brenda tugs hard on a rope. We follow
the rope's action upward to a pulley mounted on a pipe, then down its length as
Cherish's bound wrists shoot upward and over her head.
Brenda ties off her end to the furnace, Cherish now forced to stand, her hands above
her and taut on the rope. Brenda then takes a long hank of black rope and winds
strands around each of Cherish's thighs, tying the other ends to the sturdy legs of a
workbench behind Cherish, leaving her helpless and barely able to move. Now that
Cherish is contained, Brenda has no fear of her. She touches and fondles Cherish,
offering her the occasional hard swat on the fanny. "You're going to get it, Brenda.
Believe me", Cherish promises. Brenda isn't the least bit intimidated, and places a
stocking gag on Cherish. Then, she picks up a pair of scissors and sidles up to
Cherish, suggesting she may restyle Cherish's long, beautiful locks. Instead, Brenda
pulls the tip of the lace bra covering Cherish's left breast away, and cuts it off,
snapping it back, revealing Cherish's erect nipple. She does the same to the tip of
the bra on Cherish's right breast, repositioning it so both her nipples are exposed
outside the fabric. We watch as Brenda takes off her button down sweater and skirt,
revealing her shapely lace black bra, black full-bottom panties, and the exquisite
streak of four white garters extending underneath the panties, attached to sheer black
stockings, tucked into spiky black heels. "Thirsty?" inquires Brenda. Cherish nods.
Brenda brings her a glass of water. She pulls the gag out of Cherish's mouth and tips
the lip of the glass into her mouth.
It's a cruel joke, as Cherish can't handle the volume of water. A great low angle
catches the action as the water flows freely down Cherish's breasts, tummy, legs, and
onto the floor, the shimmering liquid accenting every curve and crevice. Cherish
struggles violently to get free and seek vengeance, but Brenda quells the action by
stuffing a cloth over Cherish's face. A splendid angle settles on Cherish falling into
a deep sleep, dangling and suspended in her binds, like prey in a spider's web. We see
Cherish, bound tightly by rope in the fetal position, in the same tool room formerly
occupied by Brenda. In true "turn the tables" tradition, Brenda offers Cherish a warm
"Nighty-night" as she slams the door, leaving Cherish to struggle against her rope
Feeling secure, Brenda stands in front of Cherish's mirror in her black bra, panties,
garter belt, black stockings and black heels, trying on different outfits of
Cherish's. What we know and Brenda doesn't, Cherish is hard at work getting free of
her bounds at the same time. We're treated with intercutting action of the two as they
work on their different objectives. Finally, the tool room door flies open revealing
Cherish, in her soaked lingerie. At the same time, Brenda exits Cherish's bedroom,
hearing the disturbance below. We're left with Cherish, hands on hips, angry,
obsessed. "Girl Wars" she says in a challenging manner, directly to us, suggesting the
issue is unfinished.
CHERISH is charged with delivering top secret, prototype samples of lingerie to her
boss. The items are special because if they get wet, they emit a special oil. When it
comes into contact with the skin, the person wearing the garment becomes highly,
erotically charged. Cherish sits on the bed in her tight-fitting gray skirt and sheer
white blouse, and we see her lovely back-seamed nylon-covered legs as she exits the
WANDA DUPRE is an agent for the competition. She talks to her boss on the phone,
smoking a cigarette and sipping wine in her tight black suit, crossing her nylon-clad
legs as she negotiates a large fee to steal the prototype garments from Cherish.
Cherish's boss provided her with a vacant "safe house" where she samples are to be
dropped off. Driving there, Cherish becomes erotically enthralled with the concept of
the lingerie, softly sliding her hand along the whelt of her stocking top and lacy
slip, touching herself and pumping on the gas pedal with her spikey heeled shoe. Upon
arrival at the house, she drives her car into the garage and closes the door behind
her. Exiting the car, she shows us her gorgeous, nylong clad legs, panty garter combo,
and the lovely lines of her undergarments against her tight skirt as she takes the box
from the car and into the house.
As expected, the house is emptly, without any furniture. Just as Cherish makes her way
toward the bedroom area, Wanda is nearly spotted breaking in through a doorwall.
Cherish enters the first bedroom and proceeds to takes off blouse, skirt, pantygarter
and stockings, eager to give the prototype her own personal "test drive".
Meanwhile, Wanda peeks her head in and watches as Cherish puts on a sheer, lacy bra.
amd hooks her back seamed stockings to the prototype black, six strap garterbelt
tucked tightly under sheer pink lace panties. Wanda's amused to watch Cheris lick her
fingers and touch her nipples through the bra, waiting for something sexy to happen.
But busiiness comes before pleasure, so Wanda sneaks up behind Cherish. placing a
cloth over her nose and mouth until Cherish drops in a heap on the floor.
Cherish awakes to find herself hog-tied, blindfolded and gagged with black stockings,
in the empty utility room, still in her prototype lingerie. She struggles to get to
her feet. Working her blindfold off, she hops to the door, works the latch, and
frantically hobbles toward the front door.
In the kitchen, Wanda talks to her boss on the phone and fingers the lingerie items in
the box. As she leans on the counter, her skirt rises just enough to reveal her
porcelain skin at the top of her stockings. But the commotion Cherish is causing
forces Wanda to finish her call and investigate.
She finds Cherish, still bound, trying to open the front door. Again she applies the
special cloth to Cherish's nose and mouth. Despite her desperated struggle, Cherish
succombs and slumps to the floor.
Curious about the effects water has on the lingerie, Wanda stands Cherish, still bound
and gagged, ,in the shower/bath. Using a spritzer bottle, Wanda drenches Cherish with
a glistening mist of water. Almost immediately, Cherish begins to moan and writhe as
the fabrics cling to her body. Reacting to the sensuous shock, she slowily slides down
the tiled walls, sinking to the tub floor, completely enthralled the the effects of
the prototype lingerie.
GIVE US THE CODE
COLOR, DIALOGUE, MUSIC
The door flies open. The TERRORIST wearing a face mask, carries MELODY over his
shoulder into his lair. He dumps her on the hard wood floor. She looks at her attacker
with fear as he stands over her. She's in a gray blouse, gray skirt, nude pantyhose
and black high heels. Melody's a high security agent who has a secret code to a
bomb. He wants it. Her attacker ignores her moans
of fear and forces a rag over her nose and mouth. She struggles fiercely, kicking and
squirming until her body falls limp. Her heels are removed and put aside. He then
positions her body under a chain hoist with a horizontal bar attached to it. He binds
her hands and upper arms to the bar, then slowly pulls the chain, lifting her body
first into a sitting position, then fully erect, her body dangling, her feet just
barely touching the ground.
The terrorist places a strip of duct tape tightly against her mouth, then indulges
himself by standing behind her, fondling her full breasts and pushing his pelvis
against her gorgeous fanny. He unzips her skirt and pulls it down to her ankles.
Melody writhes in protest while her attacker slides his hands along her calves,
thighs, and between her legs, then up to her breasts. He pulls out a knife and runs
it between her breasts, then appears in front of her and uses the knife to slice
through her full slip from the hem upwards. Melody is terrified but is helpless as
the Terrorist cuts the slip straps away, revealing her full breasts in her lacy bra.
Methodically, he slices through her blouse and slip, able to fully remove the torn
clothing from her body. He freely fondles her breasts, removing each from the lace
cups revealing her dark, taught, nipples.
Like a seasoned hunter, the Terrorist wields his knife again, cutting away her
pantyhose, leaving her suspended in a bra and white cotton panties. With one stroke,
he slices through her panties, revealing her silky black-trimmed region. Melody has
no opportunity to be modest and her attacker fondles her openly. Again, he takes a
wad of cloth and places it over her face. Although she resists, Melody cannot avoid
it, and she slumps in her attacker's arms. She moans quietly, slowly opening her eyes
and she finds consciousness. She's stunned to find herself completely nude and tied
to an old gyno table. Her feet are elevated and bound to the cold steel stirrups. Her
thighs are also bound and secured to the side of the apparatus, forcing her legs open.
Her wrists are tied and secured over her head, her mouth forced shut with duct tape.
From another room, the Terrorist appears with a TOY. Despite the bright green color, its shape is a perfectly rendered and detailed penis. Melody's muffled screams go
unheard as her attacker moves between her legs. He takes his time, enjoying this opportunity. He fondles her breasts while sliding the TOY against her. He pulls his
mask down far enough so is mouth is available to lick and suck her erect nipples. He
uses lubricant and freely applies it to the TOY and to Melody. Then, her real torture
Her squeals of fear and excitement culminate as she shivers and spasms with ecstatic
contractions, her stiff arched body now slumped back on the bench. Without warning,
the Terrorist stuffs another rag over her nose and duct taped mouth. She wakes on a
black leather couch, still completely nude. She covers herself when she sees the
Terrorist sitting in a chair across a low table. He aggressively motions for her to
take the seat opposite him, still without muttering a single word. Covering herself
as best she can with her hands, she shyly takes the seat. The Terrorist shoves a note
across the table. It reads, "GIVE US THE CODE". Despite all that's happened to her,
Melody's only reply is "No! Never!" He pauses, then deliberately slides a file across
the table to her and opens it.
Melody looks at pages and pages of photos of her being bound, gagged and masturbated
with the TOY. She reacts with fear and shock. An evil glint is evident in the eyes of
her assailant. He once again puts the note in front of her. Melody relents and writes
the code on the notepad. The Terrorist takes it, picks up what's left of her clothes
and tosses them into her face as he exits, leaving Melody alone, shamed and crying in
the room, knowing she's compromised the security of her office, and that of the entire
COLOR, DIALOGUE, MUSIC
Starring: Laura Palmer, Mykelle & Xaina.
You'd think a title with the word "good" in it, would be uplifting and positive. Well,
that all depends whether you're in the "good" graces of LAURA PALMER or not. The story
opens on XAINA driving down the street, her hand sensually sliding along the thigh of
her passenger, MYKELLE. Xaina calls Laura on the cell phone. Laura's in her workshop,
dressed in a black lace slip, assembling some electronic gizmo. Their chat is
businesslike, as Xaina tells Laura they're on the way to pick up "the package".
Mykelle's never met Laura, and gets very little information about her from Xaina. The
two ascend the stairs of an industrial building. Xaina's dressed very conservatively
in a calf-length pleated plaid pencil skirt, sweater, blouse beige stockings and
heels. Mykelle is dressed in an above the knee pleated skirt, sweater, white blouse,
black stockings and heels.
Mykelle moves to the elevator. Xaina warns her to use the stairs, because "Laura's
probably got the elevator rigged". Mykelle is surprised. "Don't you trust her?", she
asks. "Nope", says Xaina as the two keep walking up the stairs. In the hallway,
Mykelle infers Xaina may still have feelings for Laura. Xaina forces Mykelle against
the wall, telling her to mind her own business, and that she's there only to "cover
Xaina's back" in case Laura tries to pull anything funny. At Laura's door, Xaina lifts
her skirt and takes a key from the garter clipped to the top of her nylons, and very
quietly opens the door. Laura's at her vanity table, primping. Xaina tries to sneak up
on her, but Laura already knows she's there.
The two offer each other insincere cheek kisses. Laura is dressed in a blue print
dress very reminiscent of the 40s, black back seam stockings, and black open toe high
heels. She gives Mykelle an affectionate once-over, as Xaina hovers close by like a
protective hen. Xaina expects to go with Laura to pick up "the package" in the
basement. Laura insists the two stay in her apartment and wait. When she exits, Xaina
explains to Mykelle that Laura is the best in her field of covert equipment
manufacturing, everything from spy cams, to explosives. As Mykelle peeks in Laura's
lingerie drawer, Xaina says. "She probably watching us now". Mykelle is surprised at
Laura's craftiness. Xaina becomes impatient. We see up her skirt and her dark triangle
as she rises from the chair. She takes Mykelle by the hand, and the two decide to see
what's taking Laura so long. Did we mention that Laura's crafty? As the two try and
sneak into Laura's very secret workshop, Xaina is ambushed by Laura who stuffs a mask
against her face. Mykelle tries to intercede, but is shoved mightily against the door,
knocking her unconscious.
Laura and Xaina go at it, tooth and nail on the floor. Hair pulling. Legs flailing in
the air. Panty and upskirt shots, until Laura finally gets her legs wrapped around
Xaina's waist, pulls her close, and forces her to inhale the chloroform until she goes
limp. Laura admires her conquest, fondling Xaina's legs and breasts. She sensually
undresses her, removing her sweater and blouse, then removing her skirt. Through her
off-white slip, we see the details of Xaina's white garter belt, back seam stockings,
black panties and blue half-cup bra. Laura moves to her workbench and picks up a small
canister and a clear, molded plastic mask and returns to Xaina. Laura straps the mask to Xaina's face, and turns on the canister. Xaina makes soft moaning sounds as she
once again falls into a deep sleep. Laura then moves to Mykelle, slumped against the
door. She unbuttons her blouse, exposing Mykelle's pert breasts, in a beige, half-cup
bra, then unzips her skirt, showing us a trace of Mykelle's red half-slip with black
lace trim, and slides her hand up her skirt, slipping her fingers into the top of
Mykelle's stocking, giving us a sneak preview of the white triangle of her panties and
white garter belt. Laura takes extra pleasure in fondling Mykelle's legs, adjusting
her bra straps, and stroking her flesh. Slowly, Mykelle begins to awake. Laura fetches
her canister and mask, attaches it to Mykelle's face, turns it on, and watches as
Mykelle slips into a deep slumber. Once again, Laura steps back to admire her work.
Mykelle, legs spread, blouse open, still with the clear mask on, against the door -
and Xaina in her lovely lacy white full slip, lying on the floor.
A lovely pair of stocking clad feet in black strap heels wiggle fruitlessly against
rope tightly bound at the ankles. The figure is seated, runs in her stockings up to
her thighs, revealing the tension of her garters against the top of her stockings. Her
white slip barely covers her area as rope curls around her waist, running tightly
between her legs. More rope runs beneath and above her slip-covered breasts, tendrils
of beautiful red hair covering one breast. Xaina is now seated, with a stocking gag
and black blindfold, her arms also securely bound behind her back. Mykelle, lying on
the floor in front of Xaina, is still sleeping in her white panties, lacy white
girdle-style garter belt, and black back seam stockings. She's bound in white rope
around her breasts and waist running from her hips to between her legs. A rope leads
from Mykelle to the hands of Laura, sitting in a chair in her lacy black slip. She
gives a firm tug on the rope, and Mykelle awakes while Xaina struggles on her perch.
Mykelle crawls on all fours to Xaina, and fondles her legs, then stands, sliding one
of her stocking-clad legs between Xaina's knees. She tugs on Xaina's rope, forcing her
to stand. Great details of Mykelle's sheer panty covered fanny and girdle style garter
belt. Xaina's confused in her blindfolded darkness. Mykelle, in her bound hands,
manages to fetch a pair of scissors and considers where to start her ritual. She
chooses the hem of Xaina's slip and begins to cut, looking over her shoulder for
Mykelle continues upward with the cutting becoming lustful and impatient and now uses
her hands to tear the fabric, then goes back to scissors to cut the straps of Xaina's
slip. She tugs and rips, exposing Xaina's blue half-up bra and the lovely pink orb of
her nipple. She pulls on the ripped and sliced portions of Xaina's slip, exposing her
black panties and white garter belt. Laura caresses herself in approval. The light
bounces off Xaina's erect, exposed nipples as Mykelle completely pulls the slip off
Xaina. She hands the ripped, ruined piece to Laura as a trophy. Laura takes the slip
to her face and drinks in the aroma and rubs it sensually on her breasts. Mykelle
awaits further instruction as Xaina struggles to get free. "You may play with her if
you like", Laura says invitingly. Mykelle returns to Xaina and, starting with her
legs, she plays with her stocking tops and garters, then moves to her bra and gently
pulls Xaina's breast free of the fabric, caressing each nipple. Laura is very pleased
with the show. But sensing Mykelle might be too involved, pulls on the rope, forcing
Mykelle back to Laura, so Laura can play with Mykelle's petite body, sliding her hands
against her stockings and breasts, as Xaina struggles to get free. Laura fondly kisses
Mykelle and shoves her back to Xaina. She hugs and kisses Xaina, enticing Laura to
touch herself. Opening her legs just enough to show her sheer white triangle bound by
a tight black girdle.
Laura takes off her slip, exposing her lacy half cup bra, which barely covers her
luscious pink nipples. She interrupts Mykelle's play with Xaina. She ties both girls
together back-to-back alternately fondling and teasing both of them. Next, Laura takes
a small, multi-tendril whip and whaps each girls' fanny with it. And if you haven't
guessed, Laura is a stickler for neatness and detail, frequently straightening out
each girl's panty and stocking. She takes her time fondling each girl, then separates
them. She seats Mykelle then Xaina, and removes Xaina's blindfold, revealing Xaina's
angry eyes and her disdain for Laura's tricks. Laura now introduces her audience to
the "package" they originally came for. She opens a small box and pulls out what looks
like a normal pink lipstick. She twists the base and suddenly, a buzzing noise emits
from the lipstick. Her latest invention is a vibrating lipstick that also sends a very
light electrical pulse to the recipient. First she slides it sensually across Xaina's
lips, down her breasts, tucking it between her legs. Next, she slides it along
Mykelle's legs and thighs, sending chills through her body. Laura rewards Mykelle's
excitement with a kiss, both girls eagerly vying for another turn with the lipstick
But Laura is patient. She finds a billowy feather and generously toys with the girls,
each eagerly awaiting a new erotic sensation. Plenty of close up shots of legs,
stockings, feet, toes, exposed nipples. Laura backs off and observes Xaina and Mykelle
being affectionate with one another, oblivious to all other things. Laura gets her
dress and slip. "I'm going to get ready for a little soiree tonight", she announces to
the two bound girls. "Keep Xaina company, Mykelle, until I come back for you." She
exits. Immediately, Xaina goes from erotic to enraged - it's obvious she's been under
Laura's spell before - commanding Mykelle to remove her stocking gag and rope
bindings. "I'm sorry I had to do this", Mykelle says, "It was forced to be part of her
plan". Xaina accepts the apology, giving Mykelle an assuring kiss. She proceeds to
untie herself. "Xaina, you believe me don't you?" asks Mykelle. "Of course, sweetie",
Xaina replies. But instead of helping Mykelle get free, Xaina takes a hank of rope and
ties her to the iron leg of the table, then applies a ball gag to Mykelle. She grabs
Mykelle's face, pulling it to her own. "A victim of her plan, eh?" Xaina says, giving
a final tug on the ball gag strap. "I bet you didn't plan on this!" she remarks, as
she runs out the door. Mykelle is stunned by the turn of events and struggles vainly
to get free.
COLOR, DIALOGUE, MUSIC
Starring: Laura Palmer & Andrea Morgan.
SPYING, just like any other job, has its ups and downs. ANDREA MORGAN is up for review
by her superior, LAURA PALMER. The review is mental as well as physical.
First, Andrea's access to the office is blocked. She uses a paper clip tucked into her
stocking, to jimmy the door. Once inside, she's criticized by Laura for the time it
took her to open the door. Laura interrogates Andrea about her past experiences which
are vast -- she also "closely" examines Andrea's physical assets, lifting her skirt
stroking her nylon encased legs and panty-clad fanny. Yet Laura is unimpressed.
Undaunted, Andrea accepts any challenge offered by Laura and the "Company". Andrea is
given some menial tasks. When she returns to the office, she's attacked with a cloth
by Laura, who binds Andrea to a cement pillar, then stripping her to her lingerie,
humiliating and erotically teasing her. But whatever Laura dishes out, Andrea can take.
A second assignment is arranged, Andrea will meet Laura in an abandoned, eight-story
building. HIDE& SEEK is the game as both girls try to find and capture the other. Both
have ropes, gags and cloths. Both girls cautiously search and roam the edifice in
their tight, sexy business suits and high heels, longing to conquer the other. Now it
becomes CAT & MOUSE as the girls move closer to one another. Like a cat, Laura pounces
on Andrea the two wrestling and fighting each other to the ground, continuing to fight
and struggle for supremacy. Once again, Laura is the victor. Andrea, in her bra,
panties, stockings, heels and garterbelt, is strung up, gagged, spanked and prodded by
Laura, also in her bra, panties, stockings and garterbelt. She expresses her
disappointment in Andrea, by leaving Andrea in the abandoned building, alone and
Next, we see Laura in her office on her computer. She recommends Andrea be cut from
the elite group of spies. A knock on her door distracts her. When she opens the door,
Andrea grabs Laura, professionally placing a cloth overLaura's face. The two fight and
wrestle intently with Andrea getting the upper hand on Laura.
Laura awakes, bound to a pillar in her bra, stockings, panties and garter belt.
Andrea, dressed in a business suit, strips to her lingerie. While freely playing with
Laura, she informs Laura that despite her poor performance in the tests, she is, in
fact, a "cleaner" for the SPY COMPANY sent to evaluate Laura's operation. It's clear
Laura has manipulated her powers simply to take advantage of the females in her charge.
Andrea redresses into her business suit as Laura struggles against the ropes, her
objections muffled by the gag. Andrea exits as Laura struggles against her bonds,
knowing she has ultimately failed.
INCIDENT AT MINOR ARCANE
COLOR, DIALOGUE, MUSIC
Starring: Holly Knight, Sadie Belle, Cherish & Brenda Starr.
BRENDA invites her wealthy friend HOLLY to have her fortune read by CHERISH, the owner
of a Metaphysical bookstore. As we see them walk down the street in their short
skirts, heels and nylons, it's obvious Holly is skeptical, but Brenda assures her it's
the "real thing". Inside the store, Cherish is on the phone with a slave trader. She
tells him, "Fine. You get them, but I get to play with them first." Outside, they wait
for SADIE, Holly's sister to join them. She's late, so they decide to go inside the
store. Holly and Brenda examine the exotic herbs and strange curatives, including the
eight foot boa constrictor. Cherish, with long gorgeous hair and dressed in a black
dress, introduces herself to Holly. She asks them both to sit at a table, to get a bit
acquainted. We see upskirt angles as Holly and Brenda sit. Cherish is very interested
in Holly, guilelessly fondling her thigh which makes Holly uncomfortable.
Using her charm, Cherish persuades Holly to relax in her apartment behind the store.
Holly does so, reluctantly. Cherish has Holly drink tea in order to read the leaves.
Little does Holly know the tea was spiked. As she and Cherish sit closely and converse
on the sofa, Holly becomes woozy and falls asleep, which was Cherish's plan all along.
Holly slides off the couch, forcing her skirt up, revealing her stockings, black
garter belt and white panties. Cherish drags her off by the feet, pulling her limp
body into her lair, where she ties Holly's wrists and ankles with beige nylons, and
gags her with a black stocking.
Brenda becomes impatient, wondering about Holly's fate. She's confronts Cherish who
wrestles her to the ground. A fight ensues between the two. Cherish places a cloth
over Brenda's face. She struggles to no avail, and is left sleeping with her skirt up,
revealing her white panties, garter belt and stockings. Cherish's patience is running
out with Holly regarding the location of her wealth. She drags Holly into the
bathroom, unceremoniously puts her in the tub and turns the shower on Holly's sleeping
body. The water wakes Holly, and soaks into her outfit, revealing her sopping wet
white panties, black garter belt, and the hint of her black bra under her light blue
Still gagged, Cherish hauls Holly into the basement and shoves her over a sawhorse,
spanking Holly's white panty-clad bottom. Angles from the front, revealing Holly's
breasts falling out of her black bra, and from the rear, as Cherish smacks the sheer
bottom of Holly's white panties, with the black suspension of her garters clearly
showing through. Cherish pulls her to a pole implementing unusual rope techniques to
bind her in place, including behind-the-back wrist bondage, breast bondage, and a
knotted crotch rope which tugs erotically against her parts.
Cherish willfully fondles and teases Holly. She moans as her breasts, nipples and
crease are toyed with in objection and pleasure. Cherish amuses teasing Holly from the
front and behind demanding Holly to tell her what bank her money is in, and her ATM
code. Holly refuses. Cherish is rude and erotic in her play, but Holly refuses to
budge. Upstairs, Brenda awakes. She follows the erotic groaning and descends the
basement stairs providing exceptional under-the-stairs upskirt shots. Cherish attacks
her and applies her cloth over Brenda's face as Holly looks on helplessly. Cherish
undresses Brenda to her white panties, garter belt, stockings and white bra, binding
her with rope to a chair, where Cherish gags Brenda with a stocking, and goes back to play with Holly. The activity is sensual and erotic, as Cherish manipulates Holly,
knowing her gag will keep her quiet.
During Cherish's extended foreplay, SADIE, Holly's big sister, enters the emporium.
Cherish hears her enter. She leaves her bound charges and greets Sadie. Cherish acts
as if the other girls haven't arrived, but Sadie insists she must use the phone to
call her sister. Entering Cherish's apartment, Sadie notices her sister Holly's purse.
Before she can assess the situation, Cherish attacks Sadie. An exceptional fight
ensues between the two, lasting nearly seven minutes, with hair pulling, biting,
wrestling, stripping, with Sadie revealing her red panties, black garter belt and
black bra. Sadie is six feet of Swedish perfection, and eventually overcomes Cherish
with a cloth. Cherish lies on the apartment floor asleep, in her sheer black bra,
black panties, garter belt and stockings.
In her black bra, and black half slip, Sadie explores the rooms of the apartment,
failing to find her sister. She opens the door to the basement . Hearing moaning, she
descends the stairs. She sees her sister Holly tied to the pole and rushes to her. But
she's attacked by Cherish in the basement. Again, they have a knock down, drag out
battle, this time Cherish conquering Sadie as Holly and Brenda look on helplessly.
Sadie is tossed over the spanking bench by Cherish who tries to make Sadie talk for
her sister. Cherish furthers the extent of the torture by shackling Sadie to the
ceiling girder, fondling and spanking her, much to the angst of Holly.
Finally, Cherish loses patience with Holly, dressing her in street clothes and forcing
her to withdraw all her money from the bank. When they return to the store, Cherish is
converged on by Brenda and Sadie who get the best of her, finally putting her to
sleep. Cherish awakes, chained and bound to a rafter, as Brenda, Holly and Sadie
fondle and abuse Cherish in her black bra, panties, garter belt and stockings, re-
enforcing the adage "REVENGE IS SWEET."
INGA'S BONDAGE FANTASY, PT 1
COLOR, DIALOGUE, MUSIC
Starring: Inga VonMinden
This turned out to be a very unusual experience for us. While having drinks in a bar after a shoot, we met INGA, the bartender. She overheard us talking about our
latest production, and she couldn't help but ask us about our work. It turned out Inga
had her own fantasies. Although six feet tall, extremely fit and a kickboxing
instructor, she really wanted to be dominated by a male. Leave it to Swan Productions
to provide her an opportunity.
We asked her to come to our studio and audition for a modeling assignment. She showed
up on time, dressed in a tight black sweater and skirt ensemble, wearing reinforced heel and toe stockings, and strappy black heels. We left her a note on the computer
that we had to go buy film, that she should relax and enjoy the fresh coffee. We watch
her move about the studio, check her make-up in the mirror, and adjust her stockings
She pours a cup of coffee and sits in our overstuffed chair. As planned, she feels the effect of the coffee, feeling unusually warm and sensual in a good way. She unbuttons her sweater a bit, crosses and recrosses her legs, antsy, yet very sensual. Plenty of
upskirt shots revealing the tops of her stockings and garters, as she fondles herself.
Just as she begins to slumber, we sneak in and force a vloth over her nose and mouth.
She is indeed strong, struggling and flailing her legs in the air, trying to resist
the sweet smell on the cloth. Finally she succumbs, and slides down the chair, unaware
of her upskirt exposure and our freedom to shoot her while asleep.
She's pulled up, tossed over the shoulder, and carried to our daybed where we openly
shoot her limp body. Then the REAL fun begins as we document the erotic action as her
skirt and sweater are removed, leaving her in her black full-length slip and heels.
Slowly, her slip is removed, revealing her extremely fit body in a lacy black garter
belt under full-bottomed black panties and a very shapely black striped bra. Inga's
body is so luscious, we spent lots of time caressing her body with the camera, showing
the lovely detail of the snug way her nylons connect with her garters, the snug fit of
her panties, and the PERFECT fit of her breasts in her black striped bra. Despite Inga
being asleep, she seems erotically aware of what's going on.
Next, we find Inga, still unconscious, in a high chair. Her wrists are tied to the
arms of the chair, then her ankles are bound to the struts of the chair. Finally, we
attach a crotch rope. Still sleeping, the camera spans her body freely from head to
toe and back again, examining the detail of her nylons clipped to her garters, her
flat belly and lovely 36D breasts stuffed into her bra.
Inga begins to awake, still under the spell of the elixir and the aphrodisiac, her
hips moving and nudging and rubbing erotically against the rope We politely stopped
our work as she became fully conscious, allowing her to decide whether or not she
wished to pursue her fantasy further. The fact we have a second film featuring Inga is
INGA'S BONDAGE FANTASY, PT 2
COLOR, DIALOGUE, MUSIC
Starring: Inga VonMinden
Now that Inga's had a taste of acting out her first erotic fantasy, she's anxious to
extend the adventure again. She's invited back to the studio after work, excited to
see what happens next.
Inga snuggles up on the daybed, still fully dressed, still in her heels and full
fashioned stockings. She picks up a book of erotic short stories which fuel her desire
for fantasy. Soon, she nods off, her body tingling with anticipation. Suddenly, she's
attacked by an unknown assailant who stuffs a cloth over her nose and mouth. She
struggles against the foe, twisting, turning, flailing the air with her long legs.
She's no match for the attacker, and drifts off to sleep. The assailant takes his time
examining this luscious woman - her long legs, full breasts and gorgeous face - before
he begins to slowly undress her.
First, he removes her sweater and dress, sensually taking his time sliding the fabric
off her body. She's peacefully unaware as he stares at her in her lace trimmed, full
length white slip, which shows the visible outlines of her pink satin panties, white
bra and white garter belt, the straps tightly hooking to the dark hem of her
stockings. He then tosses her over his shoulder and moves to the door.
Now he drags her unconscious form by her ankles into his secret dungeon, her slip
riding up, revealing the details of her garter belt and rosy pink panties. Sensually
he begins to bind her with rope, the tension defining the fullness of her breasts. He
wraps the rope around her waist and slides it between her legs, forcing her slip to
bunch up above her stocking tops. Inga awakes and struggles against her restraints, only to be put to sleep again by her assailant.
He secures her to a concrete pillar and gags her with a nylon stocking. He watches as
she squirms and writhes against the rope, knowing the more she struggles, the more
intensely sensual she feels. Her movements change from a harsh struggle for freedom,
to a slower, more erotic pace. Unable to fend off the assailant, she feels his strong
hands as they glide up her legs and touch her silky stockings and garters. Although
she seems to try and push him away, her attempts are fruitless as his hand fondles one
of her breasts.
She gasps as she moves against the restraints, feeling the sensual power of
resistance. As suddenly as he appeared, the assailant disappears, leaving Inga alone
to struggle and find her own creative devices for becoming free from this dreamâ€¦or is
it a fantasy come true?
LEAH'S DAY DREAM
COLOR, DIALOGUE, MUSIC
Starring: Leah St.Cyr
LEAH comes home from a hard day's work, dressed in an expensive suit and jacket. Her
open-toed heels clack on the wood floor, seeking the wine the fridge to take the edge
off. She flicks on the stereo and plops on the couch. She's alone, so she isn't dainty
when she uses the corkscrew to uncork her wine, allowing us to examine the details of
her lacy full slip, the whelt of her truly retro stockings, painted toes, and satiny
white panties. The music is interrupted by the Radio Announcer who warns listeners
another attack has occurred by the notorious "MYSTERIOUS MASTER" who preys on single
women.Just then, Leah's cell phone rings. It's her friend Amy who is clearly worried
about these break-ins. Leah listens patiently to Amy's concerns, but says, "I think
you secretly want this guy to come and attack you!" Leah's so sure this could never
happen to her, she jokes to Amy that she'd like the guy to attack her, just for the
Little does she know, her joke may become a reality.
Leah takes the bottle of wine and glass into the bedroom, but feels exhausted. She
snuggles with a pillow and immediately falls asleep. We are allowed to see her
gorgeous legs and heels, and the shape of her lovely breasts as she naps in her full
slip and skirt. Her slumber is cut short with a NOISE. She moves through her house,
seeking the source of the commotion. Leah's surprised to see the back door of her
house is ajar. She shuts and locks the door, then peers down the stairs to her
basement for any signs of foul play. Satisfied there's been no encroachment, she heads
back to the bedroom.
Suddenly, she's attacked in the living room by a masked intruder, wearing latex
gloves. She's forced face-first to an ottoman as the assailant tears at her clothing,
pulling her skirt up, roughly pulling her panties aside and spanking her pale pink
fanny. Leah puts up a fight as the intruder forces a cloth over her nose and mouth.
The scene shifts to Leah's point-of-view as her head swims, not knowing what is a
dream, and what is reality. At one moment, she's attacked on the ottoman, and in
another second, she's on her bed, aggressively mauled by the assailant who pulls the
straps of her slip down, revealing Leah's gorgeous breasts cupped in her ultra sheer
pink lace bra, her legs flailing in the air, exposing her satiny white triangle
nestled between her six strap garter belt, tugging on the whelt of her lovely
Next, we see Leah's painted toes encased in her vintage stockings and strappy heels
moving furtively, unable to go anywhere. The camera moves up her legs and her lovely
body, showing the details of her stocking tops, pulling against her garters, her slip
pushed rudely against her body with yards of rope, her breasts and fanny plumped
tightly with the bondage. Her full lips are trapped against a ball gag, drool running
down her breasts. She's unable to see anything since her vision is snuffed with a
blindfold. The attacker's latex-gloved hands grope Leah freely, fondling her breasts,
sliding between her legs, tugging on her garters as she writhes with fear. Or is it
The assailant rips her slip straps down, revealing Leah's perky breasts tucked in her
pink bra, her nipples clearly erect under the fabric. He indulges himself and pulls
down her bra, allowing Leah's breasts to spill out, her pink nipples taut. His hands
fondle her roughly yet sensually explore her fabrics, fanny, breasts and legs. Leah
seems to resist, yet might be finding pleasure the the attacker's affront. The
attacker now takes out a knife and strokes the blade against Leah's skin. She gasps in
terror, not knowing what will happen next. The tip of the blade explores her, finding
its way to the straps of her slip. The knife slices through the satin like butter, the
lace of the slip falling away, revealing her breasts in the sheer bra.
Then, he take the hem of her slip and begins slicing through the silky fabric, using
his hands to tear the slip into shreds, pulling and tugging it away from her body,
revealing Leah in her bra, panties, garter belt and heels while she's still bound by
the tight rope. Erotically, he pulls the whelt of one of her stockings away from her
lovely leg, and uses the knife to slice the nylon. Leah's flesh plumps from the
nylon's encasement as the attacker uses his hands to tear the fabric from her,
continuing to fondle her freely. Without notice, the Mysterious Master abandons Leah.
She senses his departure, spits the ball gag from her mouth, shoves the blindfold
aside, and attempts to get free from her binds. We see her push and writhe against the
ropes, trying to get loose. She reverts to using her teeth to bite at the knots
binding her wrists above her head.
Unexpectedly, we find Leah asleep on the bed, an empty wine glass in her limp hand,
the empty wine bottle next to her. She's dressed only in her slip and underthings, the
vague line of her garters and bra showing through the thin fabric. She awakes. Sitting
up, she picks up her cell phone and punches numbers. "Amy. It's Leah. Why don't I come
over and keep you company?"
COLOR, DIALOGUE, MUSIC
Starring: Lydia Lyles, Xaina & Brent
LYDIA'S long workweek is done. Waiting for the building elevator, she's met by XAINA.
They decide to have a drink at a nearby bar, Inside the elevator, Xaina notices Lydia
having problems with her droopy stockings. Xaina offers to lend Lydia pair, so they
stop by Xaina's loft apartment. Lydia is impressed with Xaina's apartment, and her
vast array of clothing and shoes. While Lydia primps in a mirror expecting to borrow a
pair of stockings, Xaina concocts other plans for how Lydia will spend the evening.
As Lydia leaves the vanity, Xaina attacks her with a cloth. Although she appears to be
small and delicate, Lydia can put up quite a struggle. Xaina loves the challenge! The
two go at it, kicking, squirming and screaming until Lydia is overcome by Xaina's
power. As Lydia lays sleeping, Xaina pleasures herself by taking taking time to fondle
and explore her prize, touching and partially undressing Lydia, rubbing and sliding
her body against her helpless prey.
Xaina calls her lover, BRENT, proudly announcing her conquest, inviting Brent to share
and indulge. As she waits for Brent, Xaina takes her time undressing Lydia,
appreciating her taste in exquisite lingerie. Brent arrives at Lydia's loft, and
expresses appreciation of the gift and Xaina's taste in damsels. Ecstatic with Brent's
approval, Xaina does a sensual striptease in preparation for the events soon to take
Lydia's moved to Xaina's basement, lovingly displayed and bound to a plush spanking
bench. Her round fanny positioned for play. Brent relaxes in an overstuffed chair
appreciating the voyeuristic view as Xaina erotically plays with her new toy. She
needs little direction from Brent regarding the nature of her play with Lydia,
although the rules are defined and clear: Xaina does only what pleases Brent. No more,
Xaina's enthusiasm for Lydia begins to draw Brent's attention -- and not in a good
way. Her playfulness with Lydia obviously excites her and becomes apparent to Brent as
Xaina's sensuality for Lydia is demonstrated from head to toe, as she mounts, crawls,
sucks, tweaks, fondles and spanks Lydia for her own gratification, forgetting the
manipulation of Lydia is for Brent's edification rather than her own. Brent motions
for Xaina to approach. She sits on the floor between Brent's open legs expecting a
Brent places a cloth over Xaina's nose and mouth. She squirms, and struggles for
freedom but she's denied and falls asleep in Brent's arms. When she awakes, Xaina
finds herself tied and bound next to Lydia, who is now blindfolded and gagged. Jealous
and vengeful, Brent makes Xaina look on while Lydia gets Brent's full erotic
attention, making Xaina jealous and insecure. Eventually as a reward, Xaina is invited
by Brent to participate in the erotic excursion of Lydia, now knowing her rightful